1 Corinthians 2:7. 7 Commentaries. 1 Corinthians 2:7 Bible Apps. 1 Corinthians 2:7 Biblia Paralela. 1 Corinthians 2:7 Chinese Bible. 1 Corinthians 2:7 French Bible. 1 Corinthians 2:7. Commentary on Revelation 21:1-8 (Read Revelation 21:1-8 ) The new heaven and the new earth will not be separate from each other; the earth of the saints, their glorified, bodies, will be heavenly. Confidence for deliverance. (1-5) Christ's work of redemption. (6-10) Prayer for mercy and grace. (11-17) Commentary on Psalm 40:1-5 (Read Psalm 40:1-5) Doubts and fears about the eternal state, are a horrible pit and miry clay, and have been so to many a dear child of God. Coda comes with building blocks—like tables and buttons—and time-saving templates, so your doc can grow and evolve with the needs of your team. Everyone gets their way. With customizable views, your Trello-loving designer and Gantt-head PM can work off the same data, in their own preferred way.
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Contents and Sample Pages (PDF) Reprint edition. Contents and Sample Pages (PDF) 1975 ed. | CEKM 37–1Keyboard Music at Castell’Arquato (middle 16th c.). Vol. I. Dances and Dance Songs. Edited by H. Colin Slim. Reprint 1st. edition. 2018 8.5' x 11' xiv + 54 pp. CEKM 37–1 978-1-59551-523-0 $44.00 |
5:1: “This is the book of the generations of Adam.” The Old Testament gives the history of “the Adam family,” and it is a sad history indeed. Deflection 5 8 14. God created man in His own image, but man sinned—thus defiling and deforming that image. Then man brought forth chil-dren “in his own likeness, after his image” (Gen.
Coda 2 7 5 Commentary Verse
Contents
Foreword ix
Commentary ix
Editorial Remarks xiii
Abbreviatons xiii
Fascicle III:
1. Pavana–Saltarello de a pavana–La coda (fols. 1–2v) 3
2. R(i)presa (2v–3) 5
3. R(i)presa (3–3v) 5
4. Pavana–Il saltarello de la pavana–La coda (4–6) 7
5. Pavana–Saltarello de la pavana–R(i)prese (6v–8v) 10
6. Pavana–Saltarello de la pavana–La coda (8v–10) 12
7. Pavana–Saltarello de la pavana–R(i)presa (10–12) 15
8. Pavana–Il saltarello della pavana–La R(i)presa (12–14) 18
9. R(icerca)da (14–14v) 21
10. Io mi sono gioveneta .a. 4–2a pars (14v–15v) 22
11. R(icerca)da (15v–16) 23
12. Pavana–Saltarello de la pavana–R(i)presa (16–17v) 24
13. Pavana–Saltarello de la pavana–R(i)presa (17v–18v) 26
14. Pavana–Saltarello de la pavana–R(i)presa (19–20v) 29
15. Pavana–Saltarello de la pavana–La coda (20v–22) 31
16. Pavana–Saltarello de la pavana–La coda (22v–24v) 34
17. Pavana–Saltarello de la pavana–La coda (24v–25) 37
18. Pavana–Saltarello de la pavana–R(i)prese .a. c(apite) (25v–26) 38
19. Uno saltarello–Coda (26v) 40
Fascicle VII:
20. La pavana–Saltarello de la pavana (1–3v) 41
21. La Delfina (3v–4) 42
22. Gazollo–Represa di Gazolo (4v–5; 15v–16) 43
23. Il puliselo (5–5v) 44
24. La moretta (6–6v) 45
25. Il cramoneso (6v–7) 45
26. Zorzo (7v–8) 46
27. Di gentil madona pars ultima–Ripresa di Gentil madona (16v; 8) 46
28. Recerchato del villano (8) 46
29. Pavana–Il saltarello della pavana–Represa (8–10v; 12v–13v) 47
30. Il Caselle (9v–10) 49
31. Caza la vegia/milanese (11–10v [sic]) 50
32. Il ber(sanello) (11v) 50
33. Il milaneso (12–12v) 51
34. Ciel turchin (13v) 51
35. La pose borela (?)–Alla represa (13v–14) 51
36. Hoime che la non mi vole (14) 52
37. Al carmonese (14v) 52
38. Zorzo (14v–15) 52
39. Non ti partir da me (15) 53
40. Al milanese (15v) 53
41. Liciolo (16–16v) 53
42. La ultima chi tocha la canela (16v) 54
Detached folio:
43. (Untitled)–alla (ripresa?) (recto) 54
44. Ciel turchin (verso) 54
Foreword ix
Commentary ix
Editorial Remarks xiii
Abbreviatons xiii
Fascicle III:
1. Pavana–Saltarello de a pavana–La coda (fols. 1–2v) 3
2. R(i)presa (2v–3) 5
3. R(i)presa (3–3v) 5
4. Pavana–Il saltarello de la pavana–La coda (4–6) 7
5. Pavana–Saltarello de la pavana–R(i)prese (6v–8v) 10
6. Pavana–Saltarello de la pavana–La coda (8v–10) 12
7. Pavana–Saltarello de la pavana–R(i)presa (10–12) 15
8. Pavana–Il saltarello della pavana–La R(i)presa (12–14) 18
9. R(icerca)da (14–14v) 21
10. Io mi sono gioveneta .a. 4–2a pars (14v–15v) 22
11. R(icerca)da (15v–16) 23
12. Pavana–Saltarello de la pavana–R(i)presa (16–17v) 24
13. Pavana–Saltarello de la pavana–R(i)presa (17v–18v) 26
14. Pavana–Saltarello de la pavana–R(i)presa (19–20v) 29
15. Pavana–Saltarello de la pavana–La coda (20v–22) 31
16. Pavana–Saltarello de la pavana–La coda (22v–24v) 34
17. Pavana–Saltarello de la pavana–La coda (24v–25) 37
18. Pavana–Saltarello de la pavana–R(i)prese .a. c(apite) (25v–26) 38
19. Uno saltarello–Coda (26v) 40
Fascicle VII:
20. La pavana–Saltarello de la pavana (1–3v) 41
21. La Delfina (3v–4) 42
22. Gazollo–Represa di Gazolo (4v–5; 15v–16) 43
23. Il puliselo (5–5v) 44
24. La moretta (6–6v) 45
25. Il cramoneso (6v–7) 45
26. Zorzo (7v–8) 46
27. Di gentil madona pars ultima–Ripresa di Gentil madona (16v; 8) 46
28. Recerchato del villano (8) 46
29. Pavana–Il saltarello della pavana–Represa (8–10v; 12v–13v) 47
30. Il Caselle (9v–10) 49
31. Caza la vegia/milanese (11–10v [sic]) 50
32. Il ber(sanello) (11v) 50
33. Il milaneso (12–12v) 51
34. Ciel turchin (13v) 51
35. La pose borela (?)–Alla represa (13v–14) 51
36. Hoime che la non mi vole (14) 52
37. Al carmonese (14v) 52
38. Zorzo (14v–15) 52
39. Non ti partir da me (15) 53
40. Al milanese (15v) 53
41. Liciolo (16–16v) 53
42. La ultima chi tocha la canela (16v) 54
Detached folio:
43. (Untitled)–alla (ripresa?) (recto) 54
44. Ciel turchin (verso) 54
Coda 2 7 5 Commentary Matthew Henry
Contents and Sample Pages (PDF) Reprint edition. 2 free 4k movies google play. Contents and Sample Pages (PDF) 1st edition. | CEKM 37–2Keyboard Music at Castell’Arquato (middle 16th c.). Vol. II. Masses, Magnificat, Liturgical Works, Dances, and Madrigals. Edited by H. Colin Slim. Reprint 1st. ed. 2019 8.5' x 11' xvi + 44 pp. CEKM 37–2 978-1-59551-525-4 $30.00 |
Contents
Foreword ix
Commentary x
Abbreviatons xv
Fascicle IVa:
1. Missa dell’Apostoli (fols. 1–6) 3
2. (Christe [?] from Missa de Beata Virgine) (fol. 6) 7
3. Recercare (fols. 6v–8) 7
4. Primo ver(s)etto del Credo (fols. 8v–10) 9
5. (Untitled vocal composition) (fols. 10v–11) 10
6. (Passamezzo antico) (fol. 11v) 10
7. (Romanesca) (fol. 12) 11
8. (Bergamesca) (fols. 12v–13) 12
9. (Passamezzo antico) (fol. 13v) 12
10. (Passamezzo antico) (fol. 14) 13
11. (Anchor che col partire Cipriano de Rore) (fol. 14v) 14
Fascicle IVb:
12. Canti donque qui meco ogni persona (fols. 1–5) 15
13. S’io credesse (per morte essere scharcho Anselmo de Reulx) (fols. 5v–7v) 17
14. O gloriosa d(omi)na (Adrian Willaert) (fols. 8–11) 18
15. Assumpta est (Maria in celum) (fols. 11–13v) 20
Fascicle VI:
16. (Magnificat) cum quatuor vocibus (Anonymous and Lassus) (fols. 1–8) 22
17. Christe redemptor omnium (Girolamo Cavazzoni) (fols. 8v–10) 26
18. Fit porta christi (Lassus or Jacob Regnart) (fols. I0v–11) 27
19. Ego dormio (fols. 11v–13v) 28
20. Scoprirò (l’ardor mio) del (Giovanni Maria) Nanino (fols. 14–18v) 30
21. Adoramus te Christe (18v–20v) (Pavana della) bataglia (fols. 20v–22)
[See below, no. 25] 32
Fascicle VIII:
22. Missa: In Solemnitatibus Beate Marie (fols. 1–5) 34
23. Agnus Dei (fol. 5v) 40
24. II carmoneso (fol. 6) 40
25. Pavana de la bataglia—Il saltarello de la bataglia--
La tedeschina (fols. 6v–8v) 41
Fascicle IX:
26. (Credo Cardinalis) (fols. 1–4v) 43
APPENDIX
Fragments:
Fascicle IVa (fols. 3 and 10);
fascicle VI (fols. 11 and 18);
fascicle IX, (fol. 4v) 46
Foreword ix
Commentary x
Abbreviatons xv
Fascicle IVa:
1. Missa dell’Apostoli (fols. 1–6) 3
2. (Christe [?] from Missa de Beata Virgine) (fol. 6) 7
3. Recercare (fols. 6v–8) 7
4. Primo ver(s)etto del Credo (fols. 8v–10) 9
5. (Untitled vocal composition) (fols. 10v–11) 10
6. (Passamezzo antico) (fol. 11v) 10
7. (Romanesca) (fol. 12) 11
8. (Bergamesca) (fols. 12v–13) 12
9. (Passamezzo antico) (fol. 13v) 12
10. (Passamezzo antico) (fol. 14) 13
11. (Anchor che col partire Cipriano de Rore) (fol. 14v) 14
Fascicle IVb:
12. Canti donque qui meco ogni persona (fols. 1–5) 15
13. S’io credesse (per morte essere scharcho Anselmo de Reulx) (fols. 5v–7v) 17
14. O gloriosa d(omi)na (Adrian Willaert) (fols. 8–11) 18
15. Assumpta est (Maria in celum) (fols. 11–13v) 20
Fascicle VI:
16. (Magnificat) cum quatuor vocibus (Anonymous and Lassus) (fols. 1–8) 22
17. Christe redemptor omnium (Girolamo Cavazzoni) (fols. 8v–10) 26
18. Fit porta christi (Lassus or Jacob Regnart) (fols. I0v–11) 27
19. Ego dormio (fols. 11v–13v) 28
20. Scoprirò (l’ardor mio) del (Giovanni Maria) Nanino (fols. 14–18v) 30
21. Adoramus te Christe (18v–20v) (Pavana della) bataglia (fols. 20v–22)
[See below, no. 25] 32
Fascicle VIII:
22. Missa: In Solemnitatibus Beate Marie (fols. 1–5) 34
23. Agnus Dei (fol. 5v) 40
24. II carmoneso (fol. 6) 40
25. Pavana de la bataglia—Il saltarello de la bataglia--
La tedeschina (fols. 6v–8v) 41
Fascicle IX:
26. (Credo Cardinalis) (fols. 1–4v) 43
APPENDIX
Fragments:
Fascicle IVa (fols. 3 and 10);
fascicle VI (fols. 11 and 18);
fascicle IX, (fol. 4v) 46
CEKM 37–3Keyboard Music at Castell’Arquato (middle 16th c.). Vol. III. Ricercari, Mass Movements, Motet, Chanson, and Madrigal Arrangements. Edited by H. Colin Slim. 1st. ed. 2005 30 cm xix + 75 pp. CEKM 37–3 978-0-97250-626-7 $32.00 |